organic lamp

Então já não regressa ao Brasil, porquê, É difícil responder, não sei mesmo se saberia encontrar uma resposta, digamos que estou como o insone que achou o lugar certo na almofada e vai poder, enfim, adormecer, Se veio para dormir, a Terra é boa para isso, Entenda a comparação ao contrário, ou então, que se aceito o sono é para poder sonhar, Sonhar é ausência, é estar do lado de lá...
O Ano da Morte de Ricardo Reis, José Saramago

17 maio 2009

Dan and Alice are dressed up and attending Alice's exhibition.
Alice leaves Dan and heads over to her picture. The doctor walks up.
LARRY: Like it?
ALICE: No.
LARRY: What were you so sad about?
ALICE: Life.
LARRY: What's that then?
Alice laughs.
LARRY: So what do you reckon, in general?
ALICE: You want to talk about art?
LARRY: I know it's vulgar to discuss the work at the opening of the work, but somebody's gotta do it.
LARRY: I'm serious. What do you think?
ALICE: It's a lie. It's a bunch of sad strangers photographed beautifully, and all the glittering assholes who appreciate art say it's beautiful 'cause that's what they want to see. But the people in the photos are sad, and alone, but the pictures make the world seem beautiful. So the exhibition's reassuring, which makes it a lie, and everyone loves a big fat lie.
LARRY: I'm the big fat lie's boyfriend.
ALICE: Bastard!
LARRY: Larry.
ALICE: Alice.
ALICE: So you're Anna's boyfriend.
LARRY: A princess can kiss a toad.
ALICE: Frog.
LARRY: Toad.
ALICE: Frog.
LARRY: Toad. Frog. Lobster. They're all the same.
ALICE: So how long have you been seeing her?
LARRY: Four months. We're in the first flush. It's paradise. All my nasty habits amuse her.
LARRY: You shouldn't smoke.
ALICE: Fuck off.
LARRY: I'm a doctor, I'm supposed to say things like that.
ALICE: You want one?
LARRY: No.
She hands him a pack.
LARRY: Yes.
LARRY: No.
LARRY: Fuck it. Yes.
He concentrates.
LARRY: No, I've given up.
ALICE: Ahh.
LARRY: So Anna tells me your bloke wrote a book. Any good?
ALICE: Of course.
LARRY: It's about you, isn't it?
ALICE: Some of me.
LARRY: Oh? What did he leave out?
ALICE: The truth.
LARRY: Is he here, your bloke?
ALICE: Yeah. He's over there, talking to your bird.
Cut to the other conversation
ANNA: My boyfriend's here.
DAN: He's here? Where?
ANNA: There.
DAN: With Alice.
ANNA: I believe you're acquainted.
DAN: I've never seen him before.
ANNA: No, but you've spoken. Well, conversed. Corresponded.
DAN: I wrote to him?
ANNA: On the 'net. You sent him to the aquarium. I happened to be there. Nice work, Cupid.
Dan figures it out. He's enraged. She's smug.
DAN: We need to talk about this.
ANNA: No, we don't.
Cut to the other conversation
LARRY: He's very pretty.
ALICE: She's very tall.
LARRY: So, you're a stripper.
ALICE: Yeah, and?
There's a moment of attraction, at least on his part.
LARRY: You take care now.
ALICE: I will. You too.
Alice attachers herself to Dan, and they leave.


ORGANICLAMP	bonjour come inside or outside and back


ciao Come inside and make yourself a drink... * Então já não regressa ao Brasil, porquê, É difícil responder, não sei mesmo se saberia encontrar uma resposta, digamos que estou como o insone que achou o lugar certo na almofada e vai poder, enfim, adormecer, Se veio para dormir, a Terra é boa para isso, Entenda a comparação ao contrário, ou então, que se aceito o sono é para poder sonhar, Sonhar é ausência, é estar do lado de lá... O Ano da Morte de Ricardo Reis, José Saramago
17 maio 2009 Dan and Alice are dressed up and attending Alice's exhibition. Alice leaves Dan and heads over to her picture. The doctor walks up. LARRY: Like it? ALICE: No. LARRY: What were you so sad about? ALICE: Life. LARRY: What's that then? Alice laughs. LARRY: So what do you reckon, in general? ALICE: You want to talk about art? LARRY: I know it's vulgar to discuss the work at the opening of the work, but somebody's gotta do it. LARRY: I'm serious. What do you think? ALICE: It's a lie. It's a bunch of sad strangers photographed beautifully, and all the glittering assholes who appreciate art say it's beautiful 'cause that's what they want to see. But the people in the photos are sad, and alone, but the pictures make the world seem beautiful. So the exhibition's reassuring, which makes it a lie, and everyone loves a big fat lie. LARRY: I'm the big fat lie's boyfriend. ALICE: Bastard! LARRY: Larry. ALICE: Alice. ALICE: So you're Anna's boyfriend. LARRY: A princess can kiss a toad. ALICE: Frog. LARRY: Toad. ALICE: Frog. LARRY: Toad. Frog. Lobster. They're all the same. ALICE: So how long have you been seeing her? LARRY: Four months. We're in the first flush. It's paradise. All my nasty habits amuse her. LARRY: You shouldn't smoke. ALICE: Fuck off. LARRY: I'm a doctor, I'm supposed to say things like that. ALICE: You want one? LARRY: No. She hands him a pack. LARRY: Yes. LARRY: No. LARRY: Fuck it. Yes. He concentrates. LARRY: No, I've given up. ALICE: Ahh. LARRY: So Anna tells me your bloke wrote a book. Any good? ALICE: Of course. LARRY: It's about you, isn't it? ALICE: Some of me. LARRY: Oh? What did he leave out? ALICE: The truth. LARRY: Is he here, your bloke? ALICE: Yeah. He's over there, talking to your bird. Cut to the other conversation ANNA: My boyfriend's here. DAN: He's here? Where? ANNA: There. DAN: With Alice. ANNA: I believe you're acquainted. DAN: I've never seen him before. ANNA: No, but you've spoken. Well, conversed. Corresponded. DAN: I wrote to him? ANNA: On the 'net. You sent him to the aquarium. I happened to be there. Nice work, Cupid. Dan figures it out. He's enraged. She's smug. DAN: We need to talk about this. ANNA: No, we don't. Cut to the other conversation LARRY: He's very pretty. ALICE: She's very tall. LARRY: So, you're a stripper. ALICE: Yeah, and? There's a moment of attraction, at least on his part. LARRY: You take care now. ALICE: I will. You too. Alice attachers herself to Dan, and they leave. Etiquetas: cine organico, roubando as palavras dos outros, sugestões para o sofá
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17 maio 2009

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